Download Crosby's Opera House: Symbol of Chicago's Cultural Awakening epub
by Eugene H. Cropsey
The Crosbys' struggle to enhance the cultural climate out on the urban frontier of the 1860s was a turbulent one, vividly brought to life in this book through a gallery of colorful characters, including many of Chicago's prominent citizens, as well as the numerous impresarios, artists, musicians, and other entertainers who visited or settled in Chicago.
For the large number of fortune seekers migrating from the east, Chicago in the mid-nineteenth century presented boundless commercial opportunities. While their cultural life had been left behind, eventual prosperity and the lessening of physical hardships inevitably led to longings for refinement and the restoration of cultural amenities.
The musical and artistic life of Chicago had lagged far behind other cities, but by 1865, Chicago's population contained a substantial coterie of aristocratic elite who yearned for the higher forms of musical entertainment. In response, Uranus Crosby built a magnificent opera house as his gift to the city of Chicago.
America's premier opera troupes, once having consciously avoided Chicago, were now booking extensive seasons at Crosby's. The response of Chicago's audiences and critics was so enthusiastic that the country's most famous impresarios preferred to open the fall season each year in Chicago, rather than in New York, causing a bitter cultural rivalry to play itself out in the leading newspapers of both cities.
Uranus Crosby naively envisioned the opera house as solely an artistic venture. But it soon became commercially unavoidable to fill the non-operatic periods with other entertainments. Eventually, however, Uranus Crosby became so overwhelmed by his financial obligations that, in his effort to save the opera house, there followed a series of extraordinary events that threw the city into bitter controversy and drew unprecedented national attention.
The Crosbys continued to bring in the country's best opera troupes. But when the bawdy burlesque arrived from New York as an off-season filler, its outrageous antics brought forth a storm of protest from the press, charging that the performers were prostitutes and that the opera house should now be called Chicago's "assignation house." Unrelenting criticism plagued the Crosbys for years until the decision was made to convert the opera house to an office building. Outraged patrons of the opera, however, quickly! ! convinced the Crosbys to keep the opera house and refurbish it over the summer of 1871. The Great Chicago Fire occurred, however, on the planned re-opening date of 8 October. With the fate of the opera house in the balance and a dramatic rescue, we are given an unforgettable and vivid picture of that tragic day.
Author: Eugene H. Cropsey
Publisher: Fairleigh Dickinson Univ Pr (December 1999)
Pages: 452 pages
ePUB size: 1255 kb
FB2 size: 1127 kb
Other Formats: lrf docx lrf docx