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Rooms with a View book. During the first half of the 19th century, the open window emerged as a consistent motif in German, Danish, French, and Russian painting and drawing.

Rooms with a View book. Rooms with a View is the first book to explore this intriguing theme in European art, with its Romantic intimations of unfulfilled longing and its associated qualities of poetry, luminosity, and interiority. Artists de During the first half of the 19th century, the open window emerged as a consistent motif in German, Danish, French, and Russian painting and drawing.

In its theme of a figure seen from behind at an open window, the composition has precedents in German Romanticism, a notable example being . Rewald, Sabine (2011). Rooms with a View: the open window in the 19th century. New Haven: Yale University Press.

In its theme of a figure seen from behind at an open window, the composition has precedents in German Romanticism, a notable example being Caspar David Friedrich's Woman at the Window (1822) Caillebotte's painting differs from his German antecedents in several ways, however. The man does not gaze upon nature, but rather looks out upon an urban scene.

The window open towards the light; the ships in the harbour on their way to foreign destinations symbolize the longing for an unknown calling . Sabine Rewald (2011). Metropolitan Museum of Art. ISBN 978-1-58839-413-2.

The window open towards the light; the ships in the harbour on their way to foreign destinations symbolize the longing for an unknown calling; the cage with the imprisoned bird above the window occupies a transitional position between the inside and the world outside the parental home, in this case a prison for the artist longing to explore the world outside.

Rooms with a View: The Open Window in the 19th Century by Sabine Rewald Yale, 190 pp, £2. 0, March 2011, ISBN 978 0 300 16977 5. The motif of the open window in Romantic painting was ‘inaugurated’, according to Sabine Rewald, by two sepia drawings of his studio windows. The motif of the open window in Romantic painting was ‘inaugurated’, according to Sabine Rewald, by two sepia drawings of his studio windows with the River Elbe beyond by Caspar David Friedrich. The drawings are exact in their rendering of casements, panes and the gradation of light on bare walls, and careful in their delineation of the distant riverbank

Sabine Rewald is Jacques and Natasha Gelman Curator in the Department of Nineteenth-Century, Modern, and Contemporary Art at The Metropolitan . 19th-Century Architecture for the American Wing: Sullivan and Wright.

Rewald is right on target. The New York Times Literary Supplement. Sometimes small books make the most lasting impression. I found that to be true about Sabine Rewald's Rooms with a View: The Open Window in the 19th Century. Metropolitan Museum of Art Bulletin, v. 30, no. 5 (June–July, 1972). New York: The Metropolitan Museum of Art, 1972.

The opening essay by Sabine Rewald discusses the importance of the open window and the home interior as a subject in European art, especially in the northern countries. In the essay she introduces the reader to several newly discovered painters such as Georg Kersting, Martin Drolling, Johann Dahl, and Fyodor Tolstoy(a relative of the famous writer Leo). The rest of the book is full color page reproductions and accompanied description entries of over seventy oil and watercolor paintings, and drawings. The most famous painting by far is Friedrich's "Woman at the Window".

Rooms with a View: The Open Window in the 19th Century (Metropolitan Museum of Art) EAN 978030016. Contact us. We dont sell nor produce nor supply. 50 руб. The American Matisse: The Dealer, His Artists, His Collection (Metropolitan Museum of Art) EAN 978030015. 17 руб.

During the first half of the 19th century, the open window emerged as a consistent motif in German, Danish, French, and Russian art. "Rooms with a View" is the first book to explore this intriguing theme in European art, with its Romantic intimations of unfulfilled longing and its associated qualities of poetry, luminosity, and interiority

Rooms with a View: The Open Window in the 19th Century, at the Metropolitan Museum, is a conscientious art-historical roundup that ascends, here and there, to poetry

Rooms with a View: The Open Window in the 19th Century, at the Metropolitan Museum, is a conscientious art-historical roundup that ascends, here and there, to poetry. It presents paintings and drawings by forty-two Northern European, chiefly German and Danish, artists who became smitten, in the period during and after the Napoleonic Wars, with views of interior spaces that center on windows.