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Lieb, Irwin C. Publication date.

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Select Format: Hardcover. ISBN13:9780812276275. Release Date:January 1971.

Irwin Chester Lieb, American philosophy educator, university official. Morse traveling fellow, 1956; fellow American Council Learned Societies, 1964. Board governors University of Judaism. With United States Navy, 1943-1945. Member American Philosophical Association, Metaphys. Society (councillor 1968-1970), Philosophy Education Society (director), National Humanities Faculty (board trustees).

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The Four Faces of Man: A Philosophical Study of Practice, Reason, Art, and Religion . SIDELIGHTS: Irwin Chester Lieb oversaw twenty-one P. dissertations during his eighteen years at the University of Texas at Austin.

The Four Faces of Man: A Philosophical Study of Practice, Reason, Art, and Religion, University of Pennsylvania Press (Philadelphia, PA), 1971. Past, Present, and Future: A Philosophical Essay about Time, University of Illinois Press (Urbana, IL), 1991. Author of monographs. Contributor to various periodical publications. While at Texas he rose to chairman of the philosophy department, dean of the graduate school and a vice president.

PAST PRESENT AND FUTURE: A Philosophical Essay about Time by Irwin Lieb and a great selection of related books, art . The Four Faces of Man : A Philosophical Study of Practice, Reason, Art, and Religion. Published by University of Pennsylvania Press.

The Four Faces of Man : A Philosophical Study of Practice, Reason, Art, and Religion.

This book purports merely to demonstrate the unrecognized fact that it is a new key, and to show how the main . Most studies of artistic significance, of art as a symbolic form and a vehicle of conception, have been made in the spirit of post-Kantian metaphysics.

This book purports merely to demonstrate the unrecognized fact that it is a new key, and to show how the main themes of our thought tend to be transposed into it. As every shift of tonality gives a new sense to previous passages, so the reorientation of philosophy which is taking place in our age bestows new aspects on the ideas and argu-ments of the past. Yet I do not believe an idealistic interpretation of Reality is necessary to the recognition of art as a symbolic form.