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Academical Dress from the Middle Ages to the Present Day, including Lambeth Degrees (W. E. Baxter, Lewes . Retrieved 18 August 2013. Frank W Haycraft (1972). Frederick R S Rogers; Charles A H Franklyn; George W Shaw; Hugh A Boyd (ed. Baxter, Lewes, 1970) (printed privately, limited to 200 numbered and signed copies). Franklyn, George W. Shaw and Hugh Alexander Boyd (. Baxter, Lewes, 1972) (printed privately, limited to 500 numbered and signed copies). Baxter, Lewes, 1970) (printed privately, limited to 200 copies)

Academical Dress from the Middle Ages to the Present Day, including Lambeth Degrees (W. Baxter, Lewes, 1970) (printed privately, limited to 200 copies). Baxter, Lewes, 1972) (printed privately). The Genealogy of Anne the Quene (Heraldry Today, 1977)

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Franklyn, C. A. Academical Dress from the Middle Ages to the Present Day, Including Lambeth Degrees (Lewes: printed privately by W E Baxter Ltd, 1970). Talk given at the Mathematics Institute's 40th birthday celebrations.

Franklyn, C. Academic Dress of the University of Oxford.

Franklyn, Charles, Academical Dress from the Middle Ages to the Present Day, including Lambeth .

Franklyn, Charles, Academical Dress from the Middle Ages to the Present Day, including Lambeth Degrees § 13 (Hassocks 1970). This latter interpretation has much to commend it, bearing in mind the nature of Lambeth degrees. 134. Dr. Carey himself wears the academical dress of his highest earned degree, the University of London PhD, rather than that of any of his several DD honoris causa. 135. Letter to the author from the Rt. Baxter, Lewes, 1970) (printed privately . The Degrees and Hoods of the World's Universities and Colleges.

1970), Academical Dress from the Middle Ages to the Present Day Including Lambeth Degrees. Rashdall, H. (1895, 1936), The Universities of Europe in the Middle Ages. Oxford: Claredon Press. 1972), The Degrees and Hoods of the World's Universities and Colleges. Sheard, K. (1970), Academic Dress and Insignia of the World. 1882), The Degrees, Gowns and Hoods of the British, Colonial, Indian and American Universities and Colleges.

Inscribed above the entrance to the Delphic oracle was the challenging injunction Know Thyself, and drama, born within that cultural context, has in its finest form continued to offer an exploration of man's inner self.

Inscribed above the entrance to the Delphic oracle was the challenging injunction Know Thyself, and drama, born within that cultural context, has in its finest form continued to offer an exploration of man's inner self, an enquiry into the human predicament